Tokina ATX124 1224mm f4 AF Pro DX Zoom Lens for Canon Price

As other reviewers have noted, this lens is a bit on the heavy side. This is typical of Tokina's lenses, which are always built very solidly with a strong metal alloy body. I've heard of people accidentally sitting on Tokina lenses without damaging them. Try that with a plastic-body Canon EF-S lens and see what happens! So yes, it is heavy, but that's a reflection of quality construction.
I've used Tokina lenses for years and they've always worked well for me. I bought this one recently and I'm not disappointed. It is a bit prone to lens flare if sunlight strikes the glass, but that's not uncommon with wide-angle lenses. At the widest angles, the minor chromatic aberrations and slight geometric distortions around the perimeter are also typical of this class of lens. (Wide-angle lenses naturally want to be fish-eyes; it's a challenge to keep straight lines straight.) If imperfections of this sort are not acceptable to you, then you're probably best off staying on the other side of 24mm unless you can afford lenses that cost twice the price of this one.
It should be noted that this lens is intended for APS-C cameras (Rebels and the 20D-50D series). It will mount on a full-frame camera such as the EOS 5D Mark II (because it uses an EF mount, not EF-S), but on such cameras the image it produces will not fill the entire frame when zoomed to less than 20mm.
Feature
- Optimized for Canon Digital SLR Cameras
- F/22 to F/4 Aperture
- 13 Elements in 11 Groups Optical Construction
- Macro Ratio - 1 - 8
- 11.8 (30cm) Minimum Focus Distance
Overview
The all-new AT-X 124 AF PRO DX lens is Tokina`s first lens designed for use exclusively on Digital SLR cameras*. This lens gives the digital photographer an ultra wide-angle zoom lens that has the equivalent of an 18-36mm zoom range on a 35mm film camera while maintaining a constant aperture of f/4.
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Customer Reviews
Serious Flare issues - botw - DC
The Tokina 12-24 is very heavy, solid feeling wide-angle lens. Without doing any scientific testing, I was pleased with the IQ on some of the indoor shots. I ended up returning the lens, however because the level of flare and loss of contrast with a light source anywhere near being in frame was unacceptable for a lens I intended to use primarily outdoors.
There is a newer version of this lens (don't know if it is available on Amazon yet) with different coatings. That may have corrected or mitigated the flare problem.
One of the finest lenses I've owned - J. Murdock - Ohio
I've had a lot of lenses in 25-odd years of shooting, but only a few have ever been indispensable to me. This lens is one of them.
I picked this up to supplement my Tamron 18-50, but it's on the camera so much I'll probably end up selling the Tamron.
Sharpness is quite good on this lens, even wide open. But in fairness, I shoot mostly people, so if the corners are soft, I'd probably never notice, since there almost never people there.
Distortion is surprisingly well controlled given how wide it is. I tried out a Tamron 11-17 and found it much too fisheye for me.
It is a hefty lens, no doubt. The clutch mechanism for switching between AF and MF works very well, and it's darn near silent focusing (of course, how far does it really have to focus at that point).
Do not pass up an opportunity to check out this lens, and if you have to buy it here on blind faith and others' recommendations, I think you'll be pleased.
Product Information : Nov 24, 2009 18:43:10




